Locals in Nong Bua Lamphu’s Dong Mafai district yesterday escalated their opposition to a limestone mine in a long-running dispute with the mining company and the state.
Activists and civil society groups in the Northeast have launched a campaign to draft a new constitution as youth protesters across the country are calling for democratic change.
The Isaan Record10/08/2020
The initiation rituals of freshmen students common at universities and high schools across the country not only stifle the young generation’s creativity and critical thinking, but it also breeds authoritarianism, writes student activist Phongsathon Tancharoen.
Youth protests against the government are on the rise again in the Northeast and across the country. Patawee Chotanan observed a protest in Ubon Ratchathani and made eight interesting observations.
A government psychiatric hospital unexpectedly released a dissident late today after spending nearly two weeks there. Tiwagorn Withiton was admitted against his will on July 9 after wearing a shirt with the slogan, “I lost faith in the institution of the monarchy.”
The Isaan Record22/07/2020
Political scientist Chaiyan Rajchagool reflects on some of the lessons of the struggle of the Red Shirts and the fatal crackdown in 2010. [VIDEO]
The Isaan Record11/06/2020
The bloody crackdown on protesters in 2010 is seared into the mind of Thanat Thammakaew. For the writer, known by his pen name Phu Kradat, the traumatic events became a political awakening and a source of inspiration for his writing.
The Isaan Record09/06/2020
“Back in 2010, I thought the protests were taking us close to a change towards a democratic system, where everyone would be under the constitution.” “But it didn’t turn out like that. We lost. We failed,” says Thanat Thammakaew, who is known by his pen name Phu Kradat. The prolific Isaan writer reflects on the Red Shirt movement.
Artistic expression had an undisputed place in the Red Shirt movement. But little of the art of the Red Shirts has been preserved. Not only because it was destroyed by the 2010 crackdown, but also because it wasn’t seen as art in the first place, says art critic and curator Thanom Chapakdee.