Molam music has a spellbinding power. For generations, it has shaped the cultural soul of the Lao-speaking people on both banks of the Mekong River and their communities around the world. Often declared a dying breed, it continues to reinvent itself in new modern forms while serving as a source of cultural agency for the young generation.
In a forum hosted by Sisaket Rajabhat University, Isaan writers young and old have come together with academics to discuss the state of Isaan literature. No longer content to have their cultural narrative voiced by others, they advocate telling the stories of contemporary Isaan through an authentic Isaan voice unfiltered by Bangkok norms.