Suwit Kulapwong, head of the Human Rights and Environment Association, warns the state of emergency limits the public’s ability to check the powers of the government.
Niran Pitakwatchara, a former human rights commissioner, talks about the implications of the violence in 2010 for the country’s democracy and calls for “the perpetrators to be brought to justice, so as to deter repeat offenders.”
Political scientist Chaiyan Rajchagool reflects on how the ruling class have constructed a politico-military complex, and co-opted state institutions in a bid to keep democracy at bay.
The bloody crackdown on protesters in 2010 is seared into the mind of Thanat Thammakaew. For the writer, known by his pen name Phu Kradat, the traumatic events became a political awakening and a source of inspiration for his writing.
The Isaan Record09/06/2020
“There has never been a time, no other era, where the ordinary villager has cursed the ruling class so much as now. There’s a fire burning down below and the military coup has only poured fuel onto that fire.” Teerapol Anmai speaks about the aftermath of the 2010 protests and the state’s violent response.
Duanwad Pimwana, one of the most prominent voices in contemporary Thai literature, talks about the challenges Thai literature faces in dealing with the trauma of the April-May 2010 violence.
The Isaan Record03/06/2020
Linguist Saowanee T. Alexander talks about the evolution of the term “red buffaloes” that had been used pejoratively to describe Red Shirts and supporters of the Pheu Thai Party. But in recent years, pro-democracy activists have reclaimed the slur, partly shifting its derogatory usage.
The molam we know today stems from a century-old Lao tradition that is being transformed by its mingling with central Thai forms and international styles. What do we know about that original tradition? Are there khaen-playing practitioners still performing today in Isaan? John Garzoli, an ethnomusicologist looking precisely at these issues, shares his views.
The Isaan Record19/04/2020
Thawit Sitthongsi, former member of Pong Lang Sa On, talks about the molam troupe’s reputation as a leader in changing contemporary molam music and molam performances forever. [VIDEO]